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[Feb 2012 | 5 Comments | ]
Jewish Music From Bucovina

By Miamon Miller    In December of ’09, Mel Bay published an online article I wrote regarding Romanian folk music from the region of Moldavia.  In that short piece, I said that   “Those of you who play klezmer and other types of Jewish music may have taken special notice of this article’s title “Hora [...]

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[Feb 2012 | One Comment | ]
The Fiddle Sessions Jazz Violin Project: Go Tell Aunt Rhody – #6c Matt Glaser

by  Matt Glaser       A NOTE FROM THE EDITOR AND TRANSCRIBER   Check out the two previous solos that Matt contributing in recent issues of Fiddle Sessions.                         Stacy Phillips    GLASER Rhody talk6c.mp3 | GLASER Rhody music6c.mp3 | Printable Version                 about Matt Glaser Matt says, “I like a lot of different styles [...]

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[Feb 2012 | Comments Off | ]
The Fiddle Sessions Jazz Violin Project: Go Tell Aunt Rhody – #9 Sam Bardfeld

By Sam Bardfeld      In my “Go Tell Aunt Rhody” solo, the first thing on my mind was what I wanted the overall shape of the 16 bar solo to look like. The first six bars or so are a statement of the melody using a combination of slightly altered 2-note double-stop voicings and [...]

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[Feb 2012 | Comments Off | ]
The Fiddle Sessions Jazz Violin Project: Go Tell Aunt Rhody – #10 Paul Anastasio

by Paul Anastasio                            about the improvisor   Initially classically trained, Paul Anastasio soon began exploring the worlds of bluegrass and fiddle music. In the mid-1970s Paul studied and performed with Joe Venuti. Begining in 1978, Paul toured with Merle Haggard, Asleep at the Wheel, Larry Gatlin, Loretta Lynn and many [...]

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[Dec 2011 | One Comment | ]
The Fiddle Sessions Jazz Violin Project: Go Tell Aunt Rhody – #8 Evan Price

By Evan Price In this solo, I made extensive use of ‘neighbor tones’ in order to create the illusion of harmonic motion, of which there is very little in the chords of the tune.  ‘Neighbor tones’ are simply non-chordal notes which surround the chordal notes.  They can belong to the scale which corresponds to the [...]

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[Dec 2011 | Comments Off | ]
Cripple Creek

by Michael Mendelson Cripple Creek as played by Benny Thomason; Transciption by Michael Mendelson. Printable Version  

Featured, Interview »

[Dec 2011 | One Comment | ]
The Hard of Hearing Musician – One Woman’s Journey: Part Two

  (continued from the October/November 2011 issue) Interview conducted by Willa Horowitz, Au.D. Tues. Feb. 1, 2011 Wendy Cheng (C): How I hear/play music. Over the years I’ve discovered that I can tell when I’m playing in tune with my teacher if we are playing in unison. Willa Horowitz (H): On the Association of Adult [...]

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[Dec 2011 | 3 Comments | ]
Chordal accompaniment part 3: “What do I do with these chords besides droning?”

By Kat Bula If you’ve read the first two installments of this article (“Chords: What To Play When You Don’t Know What to Play” and “How Do I Know Which Chord to Play?”), you should have a pretty good idea about how to figure out which chords go in a song and how to play [...]

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[Oct 2011 | One Comment | ]
The Fiddle Sessions Jazz Violin Project: Go Tell Aunt Rhody – #6b Matt Glaser

 by Matt Glaser A NOTE FROM THE EDITOR AND TRANSCRIBER  Matt begins this part of our interview demonstrating how he might ask someone with background in bluegrass fiddle to approach swing violin.   Soon he’s onto other levels of improvisation.   In mid-stream Matt mentions Richard Lieberson, a wonderful guitarist from New York who introduced a [...]

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[Oct 2011 | Comments Off | ]
The Fiddle Sessions Jazz Violin Project: Go Tell Aunt Rhody – #7 Marty Laster

by Marty Laster The first break uses the melody and has a minimal amount of chromaticism (notes outside the scales or arpeggios) Bowings are a personal matter, but you may like some of mine. On break #2, I am playing off of the chords, not the melody, and am incorporating more chromaticism, blues and leaping [...]